Janet Fisher, janetfi@hotmail.com

Reunity

My mother’s fingers rest insecurely on the steering wheel, as if to hold its shape rather than use it to guide a vehicle that’s roughly the mass of a Clydesdale.  I wonder if she would hold horse’s reigns the same way.  No horse would obey insecurity like that.  I stare at her nails.  Her choice of clear nail polish always seems to yellow like antique furniture varnish and chip into lacquer potholes.

“You’re going to be late for dance class,” she says.

“I know that,” I scold her.  Like she’s dirt.  “Your fingernails are gross, Mom.”

She looks away.  She avoids talking altogether as we pick up speed on the freeway, approaching a long underpass flanked by rising concrete walls.  She doesn’t want to experience any more of my mood. 

She only asks me questions these days, or she provides a running commentary, by way of conversation, and I respond in a scalding impatient tone as if she should already know the answer.  It makes her nervous and cautious, and I don’t know how to stop.  Only once did she dare whisper, “Am I supposed to be able to read your mind?”  I remember the sting of truth, but I feel like I’m beyond the point of no return.  Like, if I soften now, I’ll be denying that I had the right to make the choice to be strong.  Or something.

I don’t remember the last time we hugged.  The woman who never once missed reading me a bedtime story is now unhappy in my presence, and, as I cast a casual thought to myself about possible guilt and the impossibility of reparation, I wonder if the pretty sight in front of us was choreographed.  Rows and rows of glowing red brake lights have come on at once, and some ancient-sounding beast screams.